Saturday, September 22, 2012

processing Practice Perfect by Doug Lemov, Erica Woolway, and Katie Yezzi



Foreward by Dan Heath
  •  “The mere fact of doing something repeatedly does not help us improve.” (xii)
  •  “The enemies of practice are pride and fear and self-satisfaction. To practice requires humility. It forces us to admit that we don’t know everything. It forces us to submit to feedback from people who can teach us. But surely practice isn’t a sign of weakness—after all, some of the people most famously disciplined about practice are Michael Jordan, Jerry Rice, Roger Federer, Mia Hamm, and Tiger Woods. To practice isn’t to declare, I’m bad. To practice is to declare, I can be better. “(xiii)



Action does not mean getting better. I know this from observing ugly, ugly soccer practices during which all the wrong things were brought out in scrimmages.
So often practice is applied to sports, or music, or dance, or some performance skill. But as an English teacher, I think of practice for me and for my students.
For me, I want to practice connecting our learning activity to the objective. I knew going in to the year that I wanted to do this better. I guess I should have known that the only way I would do this better would be to practice, but I never thought of practicing it. I guess I’ll have to start doing this when I write my lesson plans.
For my students, my mind immediately turns to the emphasis on reading and writing. I know I’m not a wonderful reading teacher; I emphasize volume of reading, consistency of reading, but also diversifying the types of books read and identifying preferences. I know it’s my own theory, but if I believe part of my goal as a reading teacher is to develop “life-long readers,” then some of the things I want to help my students do is to identify and understand what they like reading and why they like reading it, and to easily identify those types of books based on genre, author, and reading level. I believe that helping my students understand why they like reading a book will lead to deep and rich conversations about narrative style, character development, plot analysis, themes, role of setting, etc.—all the stuff a “good” reading teacher would teach. Further, if I can help my students understand the genre, author, and reading level of a book they like, I believe I have given them the ability to self-select other books that they will similarly enjoy reading. Maybe I’m wrong; I don’t know.
So where does practice enter in my reading instruction? Well, that’s a little less specific. Discussions on Tuesdays and Thursdays about our reading books, including addressing specific questions, could be viewed as practice in identifying “why I like/don’t like this book.” I do think keeping the reading record, and the reflection at the end of each quarter on that reading record, as practice for identifying “what types of books I enjoy/don’t enjoy.” Hopefully those actions—discussion, record keeping, and reflection—lead to better readers. I don’t know if I’ve answered the initial question.
As for writing, I think I’m a decent writing teacher. My goal is to first help the students write a lot—10,000 words this year, at least. If the students have a decent volume of writing, then we can work on fine-tuning the skills the students use as writers. Some of those skills are what might be considered basic: capitalization, end punctuation, pronoun-antecedent agreement/cohesion, verb tense, comma usage. But some of those skills are more complex: introductory adverbial clauses, appositive phrases, parallel structure, combining sentences through diverse ways. Freewriting is our method of practicing these skills. First, we explicitly study these skills in isolation. I want the students to develop a shared, academic vocabulary so that when we practice each skill in context, the question is not, “what is a pronoun and its antecedent?” I want the question to be, “where are my pronouns and their antecedents?” If the student is answering the second question, rather than the first, then during freewriting, we can, in the context of a larger passage of writing, practice ensuring that all of our pronouns have clear and direct antecedents. That will immediately improve student writing. And that’s really, really important.
I think I have a pretty clear idea of how practice is used in freewriting, and then extended to every other writing situation. I think maybe I need to verbalize that to my students, to be more transparent with them. I think doing this will also help me as a teacher to reference the objective more, because if the objective is clear and specific, and the students know that our practice is directly going to lead us to that, then they are more likely to know exactly when they have met the objective and how they were able to meet the objective.

I haven’t done any process writing like this in a long time, and it’s been really fun. I’m really enjoying this book. I’m on page 55, so some of the things I wrote about occur in later pages/chapters, but I only got through quoting my favorite parts of the Foreward. Later, as I read more, I’ll include more favorite quotes and hopefully get to process more as well. 

Tuesday, September 18, 2012

Letters About Literature

Letters About Literature is a writing contest for young readers, ranging from fourth grade all the way up to tenth grade. Students in eighth grade are placed in the Level Two category, along with seventh graders.

Here's the deal, straight from the flyer:
"Take the Letters About Literature writing challenge! Write a personal letter to an author you admire, an author of a book (fiction or nonfiction) that inspired you. Your letter must be personal but persuasive, explaining just how the author's work changed your view of yourself or your world."

Here's how to enter:
  • First, determine your competition level. As eighth graders, we're in Level 2.
  • Second, select and reflect. Choose a book that has impacted you in some way. Consider specific ways that the book helped to change the way you think or view the world.
  • Third, write a persuasive letter stating your opinion and supporting that opinion with specific details. Don't write a fan letter, and don't summarize the book. Tell the author how the book affected you and why it did so.
  • Fourth, submit your letter by Friday, January 11, 2013, using the required entry coupon.
"Are there awards?" you ask. Yes, there are. Again, straight from their flyer: "Each participating state center has its own panel of judges who select the top letters in the state. State winners will receive a cash award and advance to the national level judging. A panel of national judges for the Center for the Book in the Library of Congress will select one national winner per competition level to receive a $1000 cash award. The judges will also select one second place winner on each competition level to receive a $150 cash award."

If you're interested in this letter writing contest, then I'm excited. You should be. We read so much, that every eighth grade student should be able to write a letter to an author. If you do write a letter, I'll give you extra credit! And, more importantly, I'll help you submit the letter into the contest, so we can work towards you winning $1000! I have further information about the contest, and the website has tons of information, so ask if you have any questions or if you want help.

Monday, September 3, 2012

go to the source


Well, we've almost all made it completely through all of our beginning of year testing. The Performance Series resulted in scores in Reading and Language Arts, and the students have been given their results in Reading, along with completing a goal-setting and reflection form. It’s important to commit ourselves to the important work of reading each and every day, and being intentional as we read to focus our minds and be aware of our practices. In order to see growth through the course of the school year, we must push ourselves to improve and recognize the steps necessary to achieve it. The Writing Assessment, which several will complete on Tuesday, will provide information regarding skills in writing, especially argumentative writing. It will take some time to gather those scores, but the information will be helpful in providing a direction and the steps necessary to achieve growth.

I've created and added the above picture to illustrate a habit of mind that is very important for all students to develop. GO TO THE SOURCE! It's basically an answer to many questions, or a response to many situations. If you have a question, GO TO THE SOURCE! The source could be a textbook for a class, a reading book, a website, an instructional manual, or even a person who is an expert. Specifically, if you're being asked a question about something you've read, GO TO THE SOURCE! There's no reason to memorize a passage of what you've read; use the source to answer the question you're being asked. So, if you have a question, GO TO THE SOURCE! Don't guess at an answer, and don't be satisfied without an answer; find someone or something with the answer.

And that leads me to the final thought, and the logical result--cite the source. Find an answer. Come to a conclusion. Learn something. But don't take credit from someone else. Especially when in school, and especially when writing, always give credit where credit is due. The source provides the answer, the information, the knowledge. Give credit to the source; cite the source.